Novan Mythic History & Memory

The New Colossus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
MOTHER OF EXILES. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbour that twin cities frame.

"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"

—Emma Lazarus, 11583 HE

Of a Sephardic family of merchants that migrated to the haven of New York (then compared to Amsterdam, or Mokum Alef, and Rotterdam of Holland in the Netherlands), Lazarus was a Georgist. Her famous sonnet consists of the metric and rhyme form with an octet (two quatrains) and sestet (two tercets), which is dissimilar to the three quatrains and one couplet form used by Shakespeare. It is inscribed on the pedestal of the Statue of Liberty in an "oyster island" (for cultivation, not the ostrum of murex) of New York (like that of a migratory station used subsequent to the "Castle Garden", an ex fortification and battery) as a commemoration of emancipation. It became a "la sublime porte" (cf. the seraglio of the Bosphorus and the 御 or (n)yu / (n)ya / (n)gu / (n)ga for imperial 門).

The monument and colossal neoclassical sculpture of Alexandra (La Liberté éclairant le monde or Liberty Enlightening the World), with a copper statue and metal structure (by the civil engineer Alexandre Gustave Bönickhausen dit [a masculine form of the feminine dite for dixit from French dire] Eifel and the Alsatian sculptor Frédéric Auguste Bartholdi, whose name is similar to "Bartholdy" adopted by the financier Abraham Mendelssohn of Prussian Berlin to renounce Moses Mendelssohn and whose inspiration originates in the liberationist Édouard René Lefèbvre de Laboulaye, a classical liberal similar to the political economist Jean-Baptiste Say whose law of markets, i.e. "production [of commodities] precedes consumption", was interpreted, criticised and rejected by John Milton Keynes as "aggregate offers create [constitute] their own aggregate demands" to instead formulate that effective demand is the point of their functional intersection), in the harbour (haven and port as a refuge for vagabond exiles, migrants and strangers) of New York Bay is a figurative (fulgurant, coruscant, radiant and resplendent) lighthouse to humanity. In a change of association (i.e., resignification, reappropriation, reclamation, repossession or recuperation), Atlanteans adopted the term of "barbaric, barbarous" (like the artefact and artifice of "Berber, Barber", the region of Barbaria in Sardinia, or the Arabic عجم or ʿajam), to signify "queer, strange, alien [to the politics of a city]" in a heterotopic parallel paradise. This influential construction is similar to the Sinitic 同志 (tong / dong / t(h)ung / dung z(h)i c(h)i) for "gay" from "comrade [with similar volition]" (cf. the principal character when 輩 or bei / pei / bui / pui for "generation, class" is subsequent, similar to 先 or xian / sian(g) / xien / sien(g) for "senior, superior, prior" and 後 or hou / hau / heu / hao for "junior, inferior, posterior"). Montaigne would apply the reverse signification of savage "barbary" in a semantic (lingual rhetoric and lexic) change to apply to the brutal conquest by hegemonic "civilisation" and "religion" in the violent invasions of the modern epoch (edad, età, etade, edat, idade, age for "era") of history or memory.

The Novan Parliament and Government prohibited the slavery (servitude) of serfs by masters in its (con)federal provinces, which countered the "doctrine of discovery" of the imperial and colonial European monarchies and the Hispanic asientos (financial contracts between the fiscal treasure of the sovereign crown and commercial banks that granted a monopoly to private merchants of commodities and utilities in a public transaction of exchange or transfer). The treaties of Alcáçovas (or Alcazobas, which was signed in 11179 HE and ratified in Toletum in 11180 HE), Turris Sellae (signed in 11194 HE and authenticated in Caetobriga or Caetobrix) and Zaragoza (signed in 11229 HE) between the Iberian empires (Portugal and Castilian Hispania in Iberia) and a pontiff (Julius or Giulio, né Guiliano della Rovere, who Machiavelli lauded as a prudent prince of fortune and virtue and who was an enemy of Cesare Borgia or César Borja, or the illegitimate progeny of a primate bishop of Rome from Valencian Aragon) demarcated a Atlantic meridian (370 leagues occident of the Green Cape towards Macaronesia or Atlantis) and Pacific antimerdian (of the Indian and Asiatic orient) as hemispheres of maritime hegemony (represented as planispheres). With Atlanteans rejecting the territorial (local) occupation, the English argued for mare liberum ("free seas" in ius gentium, or the liberty to navigate the common Ocean of Nature that is similar to the air and in contrast to mare clausum) and praescriptio sine possessione haud valeat ("prescription without possession is not valid") whilst the monarch of France (Francis in Francia or Frankland, who was noted for the arts, letters and a grand nose) criticised the treaty by declaring "The Sun shines on me just the same as on the other, and I would like to see the clause in the testament of Adam that excludes me from my part of the World." The Treaty of Utrecht (11413–11414 HE in a city named to distinguish itself from Maastricht or the Trajectum/Traiectum of the river Mosa in Limburg), with its principle of balance of power subsequent to the War of Succession in Spain where hegemonic Great Britain (of England, Scotland and Ireland) would supplant the united states of the Netherlands (the successors of the Portuguese in global hegemony), was a precursor to the modern order of collective security. The Hispanic Atlantean peoples distinguished themselves from the godos (i.e., Germanic Goths who were distinct from the Moors and who were associated with imperial and colonial reign of aristocracy of monarchy and oligarchy) as continental peninsulares of Iberia (not the terrestrial insulares and isleños of the Pacific, Atlantic and Mediterranean). In comparison, the captain Alexandro Malaspina (who influenced Humboldt and whose Tuscan family in the marches of Lombardia and Liguria is celebrated by Dante for their famed courtesy and "price of the purse and of the spade") proposed a commercial league or alliance of colonies and territories (e.g., a Pacific, Atlantic and Atlantean Union), which interested the Novan and Palman realms.

The Commonwealth of Nova-Lox received the epithet Philadelphia for its humanist solidarity (e.g., mutual aid) and tolerance with tribes, families and peoples. The name of this term—from the Greek Φῐλᾰδέλφειᾰ or Philadélpheia, a name for philanthropic brotherly love similar to the delphic and fraternal, if not erotic and sexual, poiesis and ἀδελφοποίησις or adelphopoíēsis of the saints Sergius and Bacchus—is related to the affection of the biblical heroes David, son of Jesse, and Jonathan, son of Saul. In Judaic myth, they are members of the tribe of Judah, or one of the 12 tribes of Israel (e.g., בִּנְיָמִן‎ or Bīnyāmīn and Levi) that were not exiled from their territory divided by Joshua when the Assyrians conquered Samaria (שּׁוֹמְרוֹן or šōmərōn) and Aram (Aramaic Syria). The return of Hebraic exiles (diaspora associated with the Sea Peoples) of Simon, Rəʾūḇēn (רְאוּבֵן‎), Dān (דָּן), Nap̄tālī (נַפְתָּלִי‎), Gāḏ (גָּד‎), ʾĀšēr (אָשֵׁר‎), Yīssāšḵār (יִשָּׂשכָר‎), Zəḇūlun (זְבוּלֻן‎), and Joseph (divided into the tribes of אֶפְרַיִם‎ or ʾEp̄rayīm and מְנַשֶּׁה‎ or Mənašše) is connected to the messianic ideology of millenarism (Christian chiliasm with a millennial paradise in a apocalyptic, cataclysmic and catastrophic eschatology associated with Shabbatai Tzvi), Oliver Cromwell (who, in 11356 HE, reverted the edict of expulsion by Edward I in 10990 HE), and Manoel Dias Soeiro (Menasseh ben Israel, a rabbi conjoined to the Abravanel family and a professor of Spinoza who was supported and influenced by the merchant Antonio Pereyra de Montesinos who professed to improbably observe the שְׁמַע יִשְׂרָאֵל or Šəmaʿ Yīsrāʾēl, a prayer or oration that declares unity and divinity, in Anadolia). The Sephardic families of Caceres (of an Iberian province named for the Andalusian city of Osca in Granada) and Carvalhal (or a cognate of Carvallal, Carballal, Car(a)vajal, Car(a)bajal for "cork")—accused of "judaising", such as the circumcision of the prepuce of the glans penis in an custom contrary to the Hellenic and Italic aesthetic ideology—appealed in a petition to Novan government and parliament for assurance in their Atlantic migration, which they promptly conceded, conferred and confided.

The mythology of the Jewish people with their rites and cults consists of a divine contract, which the theologians of Palmaism are sceptics and critics of its genealogy. This illustrates the distinction of mythic relation (narration, tradition and religion) from encylopaedic history as

• documentary and customary indications,

• authentic and methodic inquisitions, and

• informative and collective investigations
  

of dependent and sequent events. Judaism (and Islam with its Muslim prophet) asserts the origin of the collective nation in the progeny of patriarchs, matriarchs and concubines in polygamy. Its tribes and families form a people (milla(t) or مِلَّة for community of ideology, opinion and religion), which is distinguished from a civilisation (society) of persons. In Hellenistic Judaism, the generations of Noah (similar to those of Adam as a family of sons, daughters, mothers, fathers, sisters and brothers) were classified as Šēm (שֵׁם, or the Semitic progenitor of Semites in Asia, e.g. Abraham as an adversary of the tyrant Nimrod, to reluctantly use the terminology of "race" by historians in Göttingen identified with a pseudoscientific physiognomy in an anthropic and ethnic logic of pigments and colours, which the Atlanteans negated and rejected for a common and human sanguine rose as a "mean" red, or a dilute mixture of rufous and rubious russet), Ḥām (חָם, or the Hamitic progenitor of Hamites in Africa as Libya and Egypt) and Yā́p̄eṯ (יָפֶת‎, or the Japhetitic progenitor of Japhetites in Europe). With no lingual proof, the tribes have been falsely connected to the genetic populations and migrations (separated of those to Asia and Europe from Africa) of indigenous Atlanteans (by a land bridge), Pashtuns, and the people Ethiopia, Polynesia and India (e.g., Kasperia). The tribal multitude of 12 is symbolic (mystic magic) with the zodiac, the duodecimal numerals, the Hellenic Titans and Olympians, the prowess and penitence of Heracles, the synodic months and lunar phases in the solar and annual tropic, and the Hindu phallic linga of Shiva (cf. Surya, Hanuman and Vishnu as Krishna and Rama). Palmaism, in contrast to a morality of servile repression, affirms the general (i.e., not special as a specific genre but a generic species) humanity in Nature as original and universal.

With the principles of liberty and equality, the deism of Thomas Cocke Paine, in a popular and vulgar philosophy of the Age of Reason (ethics, politics, economics and physics of an irreligious, rational and natural humanism in an examination of "fabulous theology", distinct from a cult of theism and atheism with their rites, that was influenced by Hume and Spinoza), argued for a radical liberation and civilisation (illumination, not divine revelation) in the Novan State (of common wealth and good) with the liberal, equal, libertarian, egalitarian, democratic and pacific rights of humans. Hermeneutic interpreters of narrative myth (with ambiguous and nebulous fact studied in a comparative history of ideas) connected Atlantis (as an Atlantic confluence) to a "land of milk and honey" and to Ophir (אוֹפִיר or ʼŌfīr). The former was a realm of pastures and agriculture in the mythic Egyptian exodus of Moses with his fraternal "speaker" Aaron and sororal Miriam who, in the papyrus of the Nile, watched the infant Israelite secure in a maternal "ark" (cf. azafate, açafate, safata from the Arabic سَفَط or safaṭ, itself from the Persian سپت‎ or sapat) to be adopted by a member of an imaginary dynasty of a pharaoh in a similar myth the origin of Oedipus, Karna of Surya, Sargon or Šarrum-kīn of Akkad in Mesopotamia who conquered Sumer, Babylon and Assur, a term extended from Assyria to Syria in the Levant by the Greeks. The latter was stated as the origin of the imported wealth of Solomon‎ (a malka, cf. מֶלֶךְ or mélekh and مَلِك or malik, whose mother was seduced by David and who was conjoined to Sabaʾ in an anachronistic invention) in the sacred Bible of (Hellenistic) Judaism and other fanatic fictions. The mythic location exported metals (gold, silver, iron and tin), spices, resins, sandal (from the Arabic صَنْدَل or ṣandal and Persian چندل‎ or čandal), ebony, ivory and peafowl. Historians and antiquarians debated Tamilakam of Cheralam, Madraspattinam, Gopakapattana (Gomanta or Govapuri), Muventar (Dravidian Tamil and Malayalam for "triumvirate"), Simhala, Karunadu, Lanka and Malabar (Koyilkota, Kollam, Kochin or Muciri of the Arabian Sea) in India as a possible location.

An improbable hypothesis includes Malacca (which separates the Malay peninsula of Asia from Samudra, whilst Sunda separates it from the pulau or nusa of Jawa that is occidental or barat, with an Polynesian and Astronesian cognate of a(w)ha / afa for "storm, wind of the west", to the undulations vali, donations bali, floral flames and precipitation of a monsoon at the oriental east or timu(r)) as a possibility (although all of these are speculation, suggestion, supposition and conjecture). The insular terrestrial continent (dvipa) that is uttara (i.e., north, not south, and not right when facing the orientation of purva or the origin of the Sun) of Kuru, which is beyond Hindu Kush (e.g., the Himalaya mountains of India), is associated with Kasperia. This antique republic (janapada or vairajya) was a utopic, erotic, ecstatic, esoteric, epic, mythic and Elysian paradise of love, milk and fowl as bestial amour and spiritual fruit of a divine tribe (connected to aristocratic warriors of a city and a river of natality, vitality and mortality) that descendants of the monarch Pandu (the fraternity of Yudhishthira by infernal Yama, Bhima by spiritual Vayu, Arjuna by celestial Indra with the epithets of devendra, mahendra, devarajan or parjanya, and Nakula and Sahadeva by the cavalier Ashvin as progeny of the deities in paternity and of the consorts Madri, in sorority with Shalya, and Kunti, née Pritha who is related to Krishna by Vasudeva and Karna by the solar deity Surya and who used the benediction, benefice and advantage of a sage or rishi, in maternity) collected tribute from in a chase, conquest and campaign (e.g., a civil war of a dynastic family and military narrated in a non-canonic Sanskrit Veda). One of the events of the Buddha mentions this place as adjacent to the dhatu (realm, region, state or plane of the trailokya) of devas that is governed by Sakra at the Olympian mount of Meru.

Others proposed the mercantile (commercial) ports Sofala (e.g., by Milton and etymologically related to s(c)hof(e)l) for "low, plain, paltry, scabby, humble" as opposed to "high"), Manbasa (alternatively mvita for "the war" and minkisi, plural of nkisi for "spirit"), Malindi (the plural of lindi for "hole") and Kilwa of the Swahili (Kiswahili) people in Azania (Africa). They distinguished themselves from the Bantu people (with a pastoral court and palatial houses of stones) with the term waungwana (plural mwungwana) for urban culture and coastal civilisation. Their merchants (noted for contact with Chinese, Arab and Persian mariners, in addition to maritime Austronesians of the Pacific Ocean) rested in Muqdisho (famous for its beauty by the Somali people of Punt, which was influenced by Egypt, Cush and the Red Sea) on the Indian Ocean. This is all myth. These connections are similar to Tarshish with Anadolia (instead of Hispania, Andalusia and Sardinia of Mediterranean Europe in relation to Phoenicia and its cities of Tyre and Carthage). Similar to the "lineland" (Grand emilia) of symbolic Emilian purple and villous velvet (vellut(o), vel(l)udo, velours) that was intercepted by Viking exploration and was interpreted as Frisland (the phantom island of "freezeland", distinct from Friesland, identified in the cartography of Nicolò and Antonio Zeno of Venetia), Newfoundland in Nova-Lox was identified in nautical charts as Estotiland (from "stockfish"). The colours of purple are symbols of the liberal and equal glory of Atlantida.

A French liberal and philosophe in favour of liberation (as a member of the Société des amis des hommes or "Society of the Friends of Men" of Paris that declared Les Mortels sont égaux, ce n'est pas la naissance c'est la seule vertu qui fait la différence or "The Mortals are equal, it is not nascence but it is solely virtue that is the difference") and the Respublica literaria ("Republic of Letters") stated that ubi panis ibi patria ("where [there is] bread, there [is the] metropole") was the lemma of Novan Atlantis ("Atlantida" in allegoric language). It resembles the proverbial ubi bene ibi patria ("where [there is] good, there [is the] metropole") from patria est ubicumque est bene (as quoted in Tusculanae disputationes by Cicero when at his villa in Tusculum, a city of Latium or an Italian region that includes Tiberis, Albanus and urban Roma). The politics of Vercingetorix influenced the ideology (declaration) of the Palman Revolution. The name of the historic and mythic chief—a Latinisation composed of wer for "super or over, not sub or under" and kingess for "warrior, heroic shank and skink that steps and stamps"—was a pseudonym for a Parisian author and Atlantean expatriate, Rocco Moutier Faieta (whose factual personal name is a cognate of Germanic Roch, Roque, whilst his maternal family name is for "monastery" and his paternal family name is for a toponymic diminutive of "beech, book" from the Romanic fay(a), fai(a), fa(i)g, fag(gi)o, fagu, fajo, fou, fui, haya, hai, hau). He—with the anarchism of Francesc Pi i Margall and the panentheism of Karl Christian Friedrich Krause—was an influence of the Blas Infante Pérez de Vargas, a Herculean Georgist whose Ideal Andaluz was of democracy and autonomy in radical (liberal), mutual (equal) and republican cantons in Spain. His name references the Celtic chief of the Aruerni (a name of a tribe from the Gaulish Arverni or Arwerni and the eponym of a French region where the depressed and influential Situationist Debord, an antecedent of the "punk" subculture, died by suicide) in the Gallic Wars with the Roman Republic and its conquest of Gaul.

This symbolism is similar to figures (personages) of the Norman conquest and Arminius (translated into legend as Hermann), a chief of the Kherouskoi or Cherusci—who were neighbours of the Suebi (e.g., the Anglic tribes) or allied belligerents of Celtic and Belgic Gallia—in Germania, who commanded an alliance of tribes that vanquished three Roman legions and their auxiliaries in the battle of Teutoburg and became a mythic, heroic and epic warrior of romantic and militant national unification for resulting in a frontier for the "empire without limit" (imperium sine fine) in space or time as stated in the Aeneid (which is a significant history discussed by classicists). The Belgic prince Ambiorix similarly is mentioned in the Commentarii de Bello Gallico by Caesar with his tribe of the Eburones that was massacred by the Romans in a Gallic genocide. This tribe was protected by the Treveri and whose territory (like the Menapi or Manaki) was incurred and invaded by the Usipetes and Tencteri (dislocated and displaced by the Germanic Suebi) across the frontier or limes of a fortified river. In these wars, Caesar established client tributaries in Britain. The resistance is similar to Caratacus or Karatak (from "love" or lubi, not Punic Carthage) of the Katuwelauni of the R(h)emi (principal camps of chiefs of war as Belgic tribes that migrated to Britannia or Armorica), a tribal ally of the those named for seminal sil and potent sego distinct from Celtic Iberians, Ligurians and Helvetians.

In a pseudo-history, the Celts of Hibernia (a people named Goidel, not Gall, in a dal or "part", not a datl or "assembly") connect their lingual culture to the progeny of a Scythian prince (Phoeniusa, in a ethnic tribe related to the Sarmatians, and not for Phoenicia or Phoinikousa as an alternative of Phoinikodes similar to Erikodes / Erikousa, Lopadousa, Pithekousai, Surakousai and Pithekousai) and a Egyptian princess (Scota, contemporaneous to the biblical exodus of the Israelites and a name resultant of their Latin name similar to the foundation of Romulus and Remus of Roma in Mediterranean Italia with the Sabine king Tatius, and the adoption of Atlas by the Atlanteans), and their exploits in the Iberian city of Brigantium or Brigantia (with the construction of its tower and its port named for the Gallaeci or Kallaikoi). A legend connects the syncretic Celts of Europe and Asia (in addition to others) as trans-oceanic navigators and voyagers with the alpine Anadolians. An exiled prince (brendan, brennan) of Valland or Walland (as named in the German languages and as a cognate to a Gaul of Gallia and Galatia in the Hellenic and Romanic languages) named Madak (from math or mad for "good", which is a cognate of manus as homonym of the manual palm and Matuta of the mature morn of Eos or Aurora), who was a descendent (og, ag(h) or ac(h) and mac or map) of Owain, is considered a hero of indigenous contact in an am(b)ram (marine voyage). The Celts of Galatia (Ankyra or Drunemeton), as the Textosagioi, Tolistobogioi and Trokmoi that were previously a member of the tribal and national (con)federation of the Volcae from Tolosa that invaded Macedonia, occupied territory in Hellenised Anatolia. The plagiary (artificial copy, imitation and reproduction by a "plagiator", not a raptor, sequestrator or abductor that subjugates volunty, or underyokes will, by seduction and reduction) of the marble sculpture Moribund Galatian is symbolic with its heroic, yet pathetic, nudity. The absence of pteruges (like those depicted by the Roman mosaic with Hellenic and Macedonian Alexander in battle), a lorica (coriaceous and metallic armour with the umbilic or omphalic navel and the pectoral or thoracic breast), or a linen tissue thorax. Whilst similar to those of the temple of Aphaia in Aegina (a deity identified with Athena by the Athenian hegemony), the nude warrior is a manifest (evident and apparent) corroboration of the historic reports that Celtic warriors were nude in combat. The sculptor Polykleitos formalised the idealised muscular architecture with the origins in the ephebos of Kritios as a schematic and systematic disposition of muscles in an aesthetic model of organic structure (organisation of economy and anatomy) with the bronzen athletic Doryphoros or Δορυφόρος. He articulated a canon of proportion of form and beauty (of the Apollonian Muses) as a symmetry or harmony of muscular tension and relaxation with sculpture.

The use of a statue as protector is notable in the free and rich city of Bremen (cf. Hanseatic Hamburg) with Roland (Roeland, Rolando, Orlando, Roldán, Rotland, Rotl(l)à, Rotl(l)an), a mediaeval paladin (cf. palatine) of Charlemagne and friend of Oliver commemorated as a hero in the literature of chanson de geste. The sculpture in culture—as a figurative giant who, with a horn and pious confidence and chivalry is referenced by Dante in paradise, chased his mortal fate in a battle with the Basques at a pass of the Iberian Pyrenees as a reprisal for the destruction of Iruña (from hiri for "city [of Roman Pompeius]" and ona for "good"; cf. the name "Lecuona" from leku for "toki, place")—symbolised imperial, urban and civic rights (e.g., the liberty and privilege of Stadtluft macht frei contrary to the majestic and ecclesiastic principality of property) for the Baltic Saxons (Dutch Germans). Its emblem consists of a double eagle and baldacchino (a tissue from Bagdad, or a cognate of Bogdan, used for an armarium, ciborium, tabernacle or canopy of a coronal throne and altar in a sacred chapel, temple or aedicula). This is similar to a monopteros or a circular tholos with a dome and without a cell. Compare the statue to the elephant, a majestic giant used by Alexander the Great, as a symbol in classical and imperial antiquity of gigantic and colossal potency and valency because its use as an arm of war (in Persian پیل or pil and فیل or fil, which is associated with the castle, رخ or rox and the rotational Sanskrit ratha of the "cart, chariot, carriage", in reference to the Arabic هَوْدَج or hawdaj for "litter, mattress, lectus, palyanka, seat, sedan, chair" driven by the pilot, guide, rider, mounter, controller, governor, director, operator and conductor of a mahamatra for a magnus of metre and measure) and in chess (cf. the equestrian اسپ‎ or asp and اسب or asb, and the pedestrian پیاده or piyâde and سرباز or sarbâz). The authority and the state of the Leviathan are related to these symbols.

The personification of Libertas or Eleutheria in New York's harbour, whose "bust" is covered, invokes the kourotrophos (κουροτρόφος) who is the nutrix and matrix of novel juventas or iuventas (i.e., the nurse of a kuoros or kore) with breasts and papillary teats (compared to a pomegranate, e.g., 榴 or liu / lau like 瘤 for "tumour" from 留 for "remain, maintain, retain, detain"). With maternal strength (a hysteric force of the muscles by the sympathetic nervous system similar to the mythic furore, fury, ferocity and frenzy of a frenetic berserker, which is substantial and mutual to the totality of Nature in Palmaism with the paternal and the filial), colossal The Statue of Liberty was influenced by Alexandra (the robed icon symbolic of liberty and justice), Sol Invictus and the Colossus of Rhodes (that represented the solar god Helios and that was destroyed in a seismic terremote, tremor or tremble in 9475 HE). The memorial statue, which commemorates the victory of Attalus in Pergamon, attributes and represents a narrative message with artistic realism. Its extinguished adversary, confused with a gladiator or murmillo (cf. a thraex named for Thracia or a hoplomachus and hoplites in a panoply from ὅπλον or hóplon for "armour" distinct from the cavalry) despite the torque (torquis) on the collar, demonstrates a fatal dignity in defunct vitality. This is reflected in the admiration of Anacharsis, a Scythian philosopher, lauded by philhellenism (e.g., Voyage du jeune Anacharsis en Grèce by Jean-Jacques Barthélemy) and by Solon of Athens as a sage (sophos) for his parrhesia (as, defined by Foucault, the courage to speak verity in spite of the risk from the joke of life or death). Byron in Canto IV of his Childe Harold's Pilgrimage (a poem that laments in a romantic and melancholic disillusion from pleasure with the meditations of a barn or knight noble in natality) references its consent to mortality.

The personification of Rhodes (Ῥόδος or Rhódos) is Rhoda (Ῥόδη or Rhódē, a consort of Helios whose relation with lunar Selene is identified with Apollo and Artemis of Cynthus; Ἀπολλώνιος Ῥόδιος or Apollṓnios Rhódios in the Argonautica describes immortal Selene as enamoured with beauteous Endymion, a pastoral and mortal progeny of Zeus that is stated to be the progenitor of Narcissus in the Dionysiaca by Nonnus of Panopolis or Chemmis, which recounts Dionysius and his beloved satyr Ampelos, and who is the theme of the heroic, epic and lyric ode as a poem or hymn of John Keats, the motive of a bucolic elegy Adonais of Percy Bysshe Shelley who modelled it on Achilleis of Publius Papinius Statius, that declares "A thing of beauty is a joy for ever") of Neptunian Poseidon and Amphitrite (of Nereus and Doris, and a Nereid of Oceanus and Tethys and whose brother is Nerites and sister is Thetis, the mother of heroic Achilles with the Argonaut Peleus of Phthia in Aeolia or Thessalia, which was founded by Aiakos, or an infernal judge with Rhadamanthus and Minos), similar to Triton, whose consort is the Oceanid Libya. Achilles was a student of Chiron, similar to Telamon (and his son Ajax), Asclepius, Dionysius, Jason, Heracles, Theseus and Patroclus, who is an iconic tutor, mentor, educator and instructor (as discussed by the University of Misinibi). Rhodes is related to the rhodódendron (ῥοδόδενδρον), which is composed of the Hellenic (Greek) rhódon (ῥόδον) for "rose" and déndron (δένδρον) for "tree" that, in addition to its subgenera azalea (from ἀζᾰλέος or azaléos as in "arid, not humid" and the adolescent ash of an olfactory or olfactive altar with its fragrant, flagrant and incendiary flame), is natively prevalent on the Rose Sea coast and in the mountains of the Pacific Northwest and Atlantic Northeast (the waters of "Cascadia" and the woods of "Sylvania", ridiculously, facetiously, humorously and jocosely associated with "Fre(e)donia").

The name of the floral "oleander" of Mediterranean gardens originates in conflation of olea and laurus with rhododendron as, arodandrum or lorandrum (cf. the Hispanic and Celtic arándano, arañon, aranhon and aranyó for the "sloe" berry with a Germanic cognate of "acorn [of the arboreal oak]" for a fruit, nut, gland or prune). The "Novan colossus" is constructed of copper instead of bronze (and marble and iron). The glow of verdigris is responsible for the green colour of the statue. This green (see the Guía de coloraciones) is a tone of cyan (κύανος or kúanos) similar to viridian, blue, azure, celeste, caerulean, malachite (a cupric carbonate hydroxide named for the "mallow", not malach or "angel"), and the marine, aquatic or celestial mineral pigment of hydrous phosphate of copper and aluminium. The colour is a patina of aeruginous rust, oxide or aerugo produced by corrosion, or erosion by oxidation. It is named for a "plate" (patina, patena, padena, padia, paten(e), panela for "pan", itself from baṭāna or بَطَانَة‎ as in badana, almádana, almádena from a moltó, mo(u)lton, mouton, montone for "wether, castrated eunuch", as related terms of "kettle" from catin(o), cadinho for padella, patel(l)a, padilla, paila, paela, puela, p(o)êle and cazz((u)ol)a, cazzoeula, cassoeula, cazuela, caz(z)o(la), cassola, cazzarola, caçarola, casserole in cookery and cusine). This cupric acetate is referred to as Grünspan and Grynszpan in the German and Polish of Ashkenazic Yiddish (or a cognate to the English "green spoon"). Similar names of families, adopted in "Teutonic" lands by legal compulsion in 11487 HE with an imperial decree from the "secular" and "Roman" Catholic emperor Josef II of Austria (with subsequent edicts promulgated into the 115th century by Napoleone di Buonaparte from Corsica with the French conquest of territory in Prussia) are for prized minerals, not metals. These are the pyrite of "sapphire" (i.e., the pyrites lithos or ferric sulphide of lapis lazuli as referenced by Theophrastus) as in Finkel(stein) for a lithic "funk" and a symbolic gem for a templar tribe of yešūrūn as Gorfinkel<Garfinkel<Garfunkel<Karfunkel from Karbunkel for a rubin "carbuncle" in the ḥōšen mišpāṭ of the presbyterian tunic or ʾēfōḏ (cf. ḥasana or حَسَنَة for hazaña<fazaña, façanha, and "benefaction, not malefaction" of justice). The mediaeval adoption of fixed family names by the Judaic peoples of "Sepharad" (European Iberia), who migrated to Atlantis and beyond, occurred in the 106th and 107th centuries with it proclaimed as a decree in 11192 HE.